crystal palace
swamps
this
is a selection of vast territories, occupied by a non-hierarchized homogenous
organism. the cameral density gains its strength from the repetition of the
same gesture, although the practical need of spatial orientation is achieved by
distorting the system, it is never disrupted. each one of them has its own
rules in defining the interior struggle, the dimension (measure) of spaces in
relation to its inhabitants, the density. the exterior limit (which must exist
in a non-utopic world) of this kind of system, ironically becomes almost
irellevant.
art ateliers, 5th year school project, eduard untaru, atelier iulia stanciu, bucharest
drawings on notebook, junya ishigami
untitled works, alexander brodsky
emma mcnally
untitled, alexander brodsky, 2014
diocletian’s palace, reference from the archive of adam caruso
office building in lausanne, giulia furlan, lausanne, switzerland, 2009
housing competition, zenaida elena florea, cosmin o. gălățianu, 2020
infinite motive, pezo von ellrichshausen, finite form at exposition, house of art české budějovice
water garden, junya ishigami, tochigi, 2019
drawing, anne tholstrup
bank of england, john soane, london, 1734
city, leon ferrari, heliographs, 1980, signed 2007
insula of the menander, pompeii, preserved by eruption of mount vesuvius in 79 ad
ten courtyards, collective housing in bucharest, eduard untaru
the house of glass was suddenly all solid walls, anne holtrop, 2006
five courtyards, herzog & de meuron, munich, germany, 1994-2003
home for elderly, junya ishigami, tohoku japan, 2012
monastery of saint catherine of siena, arequipa, perú, 16th 18th century
timgad, roman emperor trajan, ce 100
kait workshop, junya ishigami, kanagawa, 2008
synagogue, dura-europos, syria, 244 ce